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Some Like It Wilder Page 60


  Lolita (film), 264

  Lomino, Daniel, 335

  Lopert Pictures, 276

  Lorimar Productions, 328–29

  Lorre, Peter, 12, 14, 19

  Los Angeles, 53–54, 62, 76, 87, 224, 333

  Lost Weekend, The (Jackson novel), 71, 73, 74–75, 81, 349

  Lost Weekend, The (Wilder film), 5, 86, 96, 151, 349–50

  Academy Awards and, 119

  alcoholism treated seriously in, 72–73

  budget, 92

  cast, 75–76, 350

  censorship code and, 73–74, 79, 81, 90–91

  characters and plot, 78–81, 350

  critical reception, 81, 84

  editing of, 82–83, 349

  flashback in, 78, 79

  The Front Page compared with, 311

  homosexuality in, 79–80

  liquor industry lobbying against, 83, 84

  location shooting in, 76

  musical score/songs, 82, 83, 84, 349–50

  photography, 76–78, 349

  preview, 82, 121

  production crew, 76, 349–50

  screenplay/shooting script, 70, 72, 74–75, 349

  set design, 77, 133

  Lothar, Hanns, 249, 359

  Loutrel, Jean-Marie, 355

  Love in the Afternoon (Wilder film), 201, 210, 248, 328, 345, 356

  cast, 189–90, 356

  censorship code and, 263

  characters and plot, 188, 192–94, 356

  critical reception, 195

  editing, 191, 356

  Irma la Douce compared with, 265

  Legion of Decency and, 191–92, 223

  musical score, 190, 191, 193, 195, 356

  photography, 191, 356

  production crew, 189, 190, 356

  screenplay/shooting script, 187–88, 215, 356

  “Love in the Air” (unproduced script), 98

  Love Parade, The (film), 38

  Lubin, Ronald, 350

  Lubitsch, Ernst, 13, 14, 30, 41, 195, 326

  on American moviegoing public, 33

  Bluebeard’s Eighth Wife, 17, 19–22, 72, 192

  censorship evaded by, 193

  death, 95–96, 97

  The Emperor Waltz as Wilder’s homage to, 90, 95

  French farces and, 267

  German accent of, 15, 19

  influence on Wilder, 40, 155, 167, 216, 249, 266

  The Love Parade, 38

  Madame Du Barry, 5

  “meet-cute” motif and, 19, 20, 72, 79, 95

  The Merry Widow, 90, 190

  Ninotchka, 22–24

  That Lady in Ermine, 96

  Trouble in Paradise and, 19

  Wilder’s Hollywood directorial debut and, 36

  as Wilder’s idol/mentor, 17, 192, 321–22, 344

  Wilder’s scriptwriting collaboration with, 1, 20–24, 249

  “Lubitsch touch,” 22, 24

  Luft, Herbert, 140–41

  Lund, John, 100, 351

  Lundy, Ken, 348

  Lustig, Hans, 10, 347

  Luthardt, Robert, 360, 361

  Lyles, A. C., 178

  Lynch, Thedora, 350

  Lynn, Diana, 348

  MacArthur, Charles, 307, 309, 314, 339, 364

  MacBride, Donald, 355

  Macdonald, Dwight, 243

  MacDonald, Jeannette, 190

  MacLaine, Shirley

  in The Apartment, 233, 235–38, 241, 242, 245, 358

  in Irma la Douce, 260, 262–63, 267, 360

  MacMurray, Fred

  in The Apartment, 234, 236, 358

  on Buddy Buddy, 339

  in Double Indemnity, 61, 62, 66, 75, 234, 349

  in Remember the Night, 62

  Macnab, Geoffrey, 2

  Madame Du Barry (film), 5

  Madden, Peter, 362–63

  Maddin, Guy, 138

  Madsen, Axel, 76, 241, 250, 261, 273, 334

  Magnificent Ambersons, The (film), 43

  Magnificent Seven, The (film), 251

  Mailer, Norman, 219

  Major and the Minor, The (Wilder film), 1, 29, 31, 53, 75, 196, 347–48

  budget, 36, 42

  cast, 35–36, 348

  characters and plot, 34–35, 38–40

  critical response, 40

  making of, 37–38

  pedophilia theme, 34–35, 39

  production crew, 36, 147, 347

  as screwball comedy, 41

  Malcolm, Robert, 352

  Malkine, Georges, 347

  Malneck, Matty, 191, 200, 223, 312, 357, 358

  Maltese Falcon, The (film), 80

  Man Between, The (film), 199

  Mandell, Daniel

  The Apartment and, 234, 239, 244, 358

  Ball of Fire and, 29

  The Fortune Cookie and, 284, 361

  Irma la Douce and, 262

  Kiss Me, Stupid and, 360

  One, Two, Three and, 251, 359

  Witness for the Prosecution and, 206, 209, 357

  Mander, Miles, 48, 50, 348

  Man for All Seasons, A (film), 295

  Manhandled (film), 118

  Mankiewicz, Joseph, 159, 165, 224, 260

  Mann, Abby, 259

  Mann, Anthony, 12

  Mann, der seinen Mörder sucht, Der [The Man Who Tried to Get Himself Killed] (film), 333

  Mantz, Paul, 183, 355

  Man Who Came to Dinner, The (film), 245

  Man Who Knew Too Much, The (film), 180, 181, 334

  Marchetti, F. D., 356

  Marlene (documentary film), 209

  Marley, J. Peverell, 355

  Marshman, D. M., Jr., 109, 111, 125, 352

  Martin, Dean, 271, 275, 279, 361

  Martin, Robert, 360, 361, 364

  Massey, Raymond, 201

  Mast, Gerald, 235, 341

  Maté, Rudolph, 147

  “Matter of Decadence, A” (Luft), 140–41

  “Matter of Humor, A” (Brackett), 140

  Matthau, Walter, 167, 299

  in Buddy Buddy, 333, 335, 365

  in The Fortune Cookie, 282–83, 285–86, 287, 335, 361

  in The Front Page, 309, 311, 312, 364

  Maupi, Marcel, 347

  Maureen, Mollie, 362

  Maury, Jacques, 365

  Mauvaise graine [Bad Seed] (Wilder/Esway film), 10–12, 38, 190, 347

  Maxim Films, 6

  May, Billy, 312, 364

  May, Joe, 12, 15

  Mayer, Louis B., 54, 124–25

  Mayes, Wendell, 179, 182–83, 199, 355

  Mayo, Archie, 212

  Mazurki, Mike, 358

  McBride, Joseph, 311

  McCallum, Gordon K., 362

  McCarey, Leo, 70, 85, 245

  McCarthy, Todd, 30

  McClelland, Doug, 297

  McCord, Ted, 355

  McCrindle, Alex, 363

  McDaniel, Sam, 349

  McGee, Rex, 327, 329, 365

  McGiver, John, 356

  McNear, Howard, 360, 361, 362

  McQueen, Neile, 365

  Meehan, John, 116, 117, 125, 352

  “meet-cute” scenes

  in The Emperor Waltz, 90, 91, 94

  in The Lost Weekend, 72, 79

  Lubitsch and, 19, 20, 72

  Mellor, William, 190, 191, 356

  melodrama, 12, 31, 51, 59, 150

  Melody of the Heart (film), 9

  Menjou, Adolphe, 308, 309

  Menschen am Sonntag [People on Sunday] (film), 1, 7–9, 31, 97, 102, 151

  Merande, Doro, 361, 364

  Meredith, Charles, 352

  Merrick, M. A., 356

  Merry Andrew (film), 188

  Merry Widow, The (musical film), 90, 190

  Metro-Goldwyn-Mayer (MGM), 62, 124, 154, 188, 235, 330

  Buddy Buddy and, 333–34, 335, 336, 339, 365

  censorship code and, 264

  Double Indemnity and, 54

  Lehman at, 155

  Lubitsch at, 22
r />   MGM Home Entertainment, 305

  Previn’s musical scores, 251

  Metropolis (film), 5, 7

  Mexico, 14

  Meyerinck, Hubert von, 256, 359

  Meyers, Jeffrey, 122, 158, 373n66

  Michaels, Norman, 296–97, 303

  Midnight (film), 24–26, 27, 39, 101

  Milestone, Lewis, 308, 309, 314

  Milland, Ray

  in Easy Living, 24

  in The Lost Weekend, 75, 76–77, 84, 85, 350

  in The Major and the Minor, 35–36, 75, 348

  Miller, Arthur, 213, 218, 220, 222

  Miller, William, 130–31

  Mills, John, 317

  Mills, Juliet, 317, 318, 363

  Milne, Tom, 304

  Milton, John, 154

  Mingand, Pierre, 11, 347

  The Ministry of Fear (film), 75

  Minnelli, Vincente, 190

  Miracle of Morgan Creek, The (film), 31

  Miracle on 34th Street, The (film), 77

  Mirisch, Harold, 213, 253, 269, 276, 281

  Mirisch, Walter, 191, 196, 322

  The Apartment and, 232

  Avanti! and, 315, 318, 321

  The Fortune Cookie and, 286

  Irma la Douce and, 260

  The Private Life of Sherlock Holmes and, 295, 301, 302, 401n12

  Some Like It Hot and, 211, 212–13, 222, 226

  Mirisch brothers (Walter, Harold, Marvin), 186, 188, 195–96, 209–10

  The Fortune Cookie and, 290

  Some Like It Hot and, 224

  Mirisch Company, 196, 211, 246, 269, 281

  The Apartment and, 231–32, 239, 245, 358

  Avanti! and, 315, 322, 363

  The Fortune Cookie and, 361

  Irma la Douce and, 261, 359

  Kiss Me, Stupid and, 360

  One, Two, Three and, 253, 359

  The Private Life of Sherlock Holmes and, 362

  Some Like It Hot and, 357

  See also United Artists (UA)

  Mishkin, Leo, 267

  Mitchell, Millard, 351

  Modell, Art, 284, 285

  Molnar, Ferenc, 247, 249, 359

  Monash, Paul, 363

  Monkey Business (film), 187

  Monnot, Marguerite, 259, 263, 267, 360

  Monogram studio, 161

  Monroe, Marilyn, 240, 251, 331

  look-alike in The Apartment, 240, 256

  in The Seven Year Itch, 165, 168–71, 172, 174–75, 229, 355

  in Some Like It Hot, 213–14, 217, 218–22, 225–27, 229, 299, 358

  Monroe, Thomas, 29

  Montagu, Ivor, 86

  Montgomery, Gen. Bernard, 43, 50

  Moore, Archie, 362

  Moore, Michael, 353

  Moore, Victor, 171, 355

  Moreau, Jeanne, 269

  More the Merrier, The (film), 100

  Morgenstern, Joseph, 314–15

  Morris, George, 279, 283, 287

  on Avanti!, 321

  on Fedora, 325, 330

  on The Front Page, 313

  on The Private Life of Sherlock Holmes, 305

  Moscow International Film Festival, 259

  Motion Picture Export Association of America, 106

  Mottola, Rafaele, 363

  Moyer, Ray, 352

  Mr. Roberts (film), 177, 213, 263

  Mueller, Christine, 365

  Muller, Ed, 60

  Murnau, F. W., 5, 13, 326

  Murphy, William, 352

  Murray, Robert, 130

  Murrow, Edward R., 174

  Muse, Clarence, 350

  musical films, 90, 261

  musical scores

  Ace in the Hole, 134, 135, 352

  The Apartment, 234, 239, 358

  Avanti!, 363

  Buddy Buddy, 336, 365

  Double Indemnity, 63, 67, 70, 349

  The Emperor Waltz, 89, 90, 93, 95, 350–51

  Fedora, 328, 365

  Five Graves to Cairo, 47, 348

  A Foreign Affair, 351

  The Fortune Cookie, 362

  The Front Page, 364

  Irma la Douce, 267, 360

  Kiss Me, Stupid, 273, 361

  The Lost Weekend, 82, 83, 84, 349

  Love in the Afternoon, 190, 191, 193, 195

  The Major and the Minor, 38

  Mauvaise graine, 11

  Mauvaise graine [Bad Seed], 190

  Midnight, 24

  One, Two, Three, 251, 359

  The Private Life of Sherlock Holmes, 300, 303, 362

  Sabrina, 354

  The Seven Year Itch, 174, 355

  Some Like It Hot, 223, 358

  The Spirit of St. Louis, 184, 185

  Stalag 17, 149–50, 151, 353

  Sunset Boulevard, 119–20, 125, 352

  Witness for the Prosecution, 200

  Music Corporation of America, 324

  Music in the Air (musical film), 15, 31, 112, 270

  Mussorgsky, Modest, 336

  My Fair Lady (film), 299

  My Man Godrey (film), 307

  Naremore, James, 69

  Nash, Jay, 205

  National Catholic Office for Motion Pictures (NCOMP), 290–91

  National Medal of the Arts, 343

  Nazis/Nazism, 10, 21, 190

  anti-Nazi documentary in occupied Germany, 83, 85–86, 89

  Chevalier and, 109

  in Five Graves to Cairo, 46, 49

  in A Foreign Affair, 99, 105

  Lindbergh and, 178

  in One, Two, Three, 249–50

  in Stalag 17, 143–44, 148, 149, 150, 151, 152

  Wilder’s hatred of, 102

  Neff, William, 352

  Negri, Pola, 41

  Negulesco, Jean, 127, 167

  Nelson, Argyle, 336, 365

  Nelson, Sam, 219, 357

  Nesmith, Ottola, 357

  Newman, Alfred, 174, 355

  Newman, Walter, 130, 131, 141, 353

  New York City, 2, 76, 236–37

  New Yorker magazine, 36, 114

  Nilsson, Anna Q., 122, 352

  Ninotchka (film), 22–24, 31, 127, 249

  cast, 147

  set design, 62

  Silk Stockings derived from, 327

  Nolan, Tommy, 361

  Noran, Gustaf, 205

  Norman, Barry, 229

  Normand, Mabel, 110

  Normann, Alessandro von, 363

  Norris, Frank, 141

  Norton, Cliff, 361

  Nosferatu (film), 5, 14

  Novak, Kim, 271, 275, 361

  Nunn, Larry, 348

  Nun’s Story, The (film), 325

  Nurney, Fred, 348

  Oberst, Walter, 351

  O’Brien, Pat, 214, 215, 254, 308, 358

  O’Connor, Una, 357

  Octopus, The (Norris), 141

  Odd Couple, The (play and film), 282, 283

  Office of War Information (OWI), 83, 86, 97, 249

  O’Flynn, Damian, 352

  Oklahoma! (musical film), 188, 223

  “Old Pornographer, The” (Dunne), 279

  Olivier, Laurence, 295

  Olson, Nancy, 123, 352

  O’Malley, J. Pat, 357

  One, Two, Three (Wilder film), 245, 298, 359

  Berlin Wall built during shooting of, 252–53, 258

  budget, 257

  cast, 248–51, 254, 311, 327, 359

  characters and plot, 248, 249–50, 255–57, 359

  critical reception, 257–58

  The Front Page compared with, 312

  Molnar play as source, 247–48, 249, 359

  musical score, 251, 359

  photography, 252–53, 359

  production crew, 251–52, 359

  revival of, 259

  screenplay/shooting script, 248, 249, 250–51, 253–54, 359

  set design, 251–52, 257, 359

  O’Neal, Eileen, 361

  O’Neill, Dick, 364

  Ora della fantasia, L’ [The Dazzling Hou
r] (Bonacci play), 269, 360

  Orry-Kelly, 216, 360

  Orteig, Raymond, 178

  Orth, Frank, 350

  Oscars. See Academy Awards (Oscars)

  Osmond, Cliff, 277, 288, 360, 361, 364

  Pace, Judy, 362

  Pacino, Al, 326

  Page, Don, 355

  Page, Genevieve, 298, 362

  Page, Mario, 199

  Pain in the Neck [Ass], A (film), 333

  Pallenberg, Max, 247, 248

  Palmer, Patrick J., 361

  “Pam-Pam” (Wilder script), 12

  Paramount Pictures, 22, 27, 29, 37, 127, 196, 312

  Ace in the Hole and, 130, 134, 139, 352

  art department, 62, 116, 133

  building dedicated to Wilder, 344

  censorship and, 34

  Crosby’s status at, 93

  Double Indemnity and, 54, 55, 57, 61, 62, 349

  The Emperor Waltz and, 91–92, 96, 350

  first color films, 91

  Five Graves to Cairo and, 44, 47

  A Foreign Affair and, 100, 101, 107, 351

  The Lost Weekend and, 71, 72, 75, 80, 83–84, 349

  The Major and the Minor and, 347

  music department, 47, 328

  Sabrina and, 153, 155, 164, 354

  screenwriters, 31, 36

  in silent era, 112

  special effects department, 80

  Stalag 17 and, 142, 143, 149, 151, 152, 353

  story department, 15, 98

  Sunset Boulevard and, 111, 124, 352

  Wilder’s status at, 42, 70, 85

  Parker, Albert, 293

  Parnell, Emory, 354

  Parsons, Louella, 87, 113, 260

  Pasternak, Joe, 5, 6

  Payne, James W., 364

  Pearce, Alice, 361

  pedophilia, 34–35, 39

  Pendleton, Austin, 310, 364

  Pepper, Barbara, 361

  Pereira, Hal

  Ace in the Hole and, 133, 353

  Double Indemnity and, 62–63, 349

  Sabrina and, 354

  Stalag 17 and, 147–48, 353

  Persoff, Nehemiah, 358

  Petersen, Verita, 158

  Petri, Elio, 318

  Pevsner, Tom, 359, 362

  Phantom of the Opera, The (film; 1925), 310

  Philliber, John, 349

  Picker, David, 329

  Pickford, Mary, 112, 124, 196

  Picture of Dorian Gray, The (Wilde), 325

  Pierson, William, 354

  Pinewood Studios (London), 298

  Pitlik, Noam, 362, 364

  Place in the Sun, A (film), 190

  Plemizio, Gianfranco, 363

  Pointer, Michael, 304

  Polaire, Hal, 358, 360

  Poland, 2

  Pollack, George, 298

  Polo, Eddie, 6

  Pommer, Erich, 9, 15, 41, 101

  Porgy and Bess (Gershwin), 251

  Porter, Cole, 307, 327

  Postman Always Rings Twice, The (film and Cain novel), 62

  Poverty Row studios, 151, 161

  Powell, Michael, 298

  Powell, William, 307

  Power, Tyrone, 198–99, 201, 203, 208, 357

  Powers, Tom, 349

  Pozner, Andre, 234

  Prager, Stanley, 351–52

  Preminger, Otto, 95, 96